Many thanks to Cassandra Shore, Christine Cherewan, and Mary Kaye Piazza for their input into this article.
George’s was a Greek family style restaurant/nightclub which incorporated an International Show for entertainment. The original restaurant was in the basement of the building, and held about 75 patrons. The restaurant eventually expanded to include the upstairs of the building, which increased the seating capacity to 300 – including the workingman’s bar where they had a mechanical bull!
The International Shows included performances by bellydancers, a Greek band, and a Greek singer. Over the years the belly dancing segment of the show would vary from one featured dancer per night, or one student dancer followed by the featured dancer, or two student dancers followed by the featured dancer. Prior to 1978 the dancer schedule was two shows a night, 5 shows a week; in 1978 the schedule expanded to 6 nights a week.
Performances were 30 to 35 minutes in length, consisting of the now seldom-used 7 part format, tips, and always a fast karsilaama finale. Dancers wore Greek or Arabic Cabaret costumes, most of which they made themselves as costume vendors were virtually non-existent then. Dancers meticulously designed and hand-beaded their costumes; or if fortunate enough to travel to Egypt, purchased costumes there.
Some of the Greek musicians and singers included George Kalogeropoulos, bouzouki; George Kitidis, bouzouki; Yannis Angelos, bouzouki; Nick Meimaris, bouzouki; Nikos Katris, bouzouki; Stelios Aslanides, bouzouki; Marios Zigomales, drums; Judy Kolba, singer; Katarina & John, singer & keyboardist; Maria Stellana, singer.
Many bellydancers performed at George’s over the years, and came not only from Minneapolis but from other cities as well. Out of town dancers included Zeyna (Judith Thibideau) and Farah (Diana Shiell), both from New York City; Yasmin and Aida al-Adawi from San Francisco, Sultana from Chicago; and Daria from Milwaukee. Local dancers, professional and student, included Cassandra (Cassandra Shore), Lucretia (Mary Kaye Piazza), Tara (Christine Cherewan), Kasia (Kathy Thomas), Alia (Alison Grab), Shadia (Christina Ouma), Margo (Margo O’Dell) and Kitty O’Dell. While this may seem like a large number of dancers, one must remember there were 6 shows a week! Dancers were hired after auditions, upon recommendations from other artists, or were someone the owner knew and liked.
Dancers were paid much differently than they are today. George’s was the first Twin Cities restaurant to have bellydancers. As this was in the pre-Minnesota Guild of Oriental Dance days, there was no wage guidelines for dancers. Dancers were paid per night, not per show, no matter how many shows performed in an evening. Principal and featured dancers were paid $40-$50, plus tips, and student dancers were paid a much lower rate of $10-$25 plus tips.
Due in part to this discrepancy in wages, and wage undercutting in some of the other area restaurants which began to feature bellydancers, the first dancer strike against a club occurred. Many of the dancers boycotted George’s until they agreed to pay the student dancers a fair wage, which was determined to be $42.50 per night. The unified front presented by the bellydance community at that time marked the beginnings of the Minnesota Guild of Oriental Dance.
While payment may have been an issue early on, dressing room facilities were not. They were much better than they are in the local Middle Eastern restaurants today. Where today one has to change in cramped furnace rooms, kitchen closets, or storage rooms which are a walk-through to the restaurant office, dancers at George’s had the luxury of a dressing room which was converted from a laundry room! As odd as that sounds, it was sized for 3 dancers and equipped with a sink, mirrors, and hanging racks. The room was cleaned weekly, and was conveniently located stage right adjacent to the bathroom.
Around 1982, George’s converted to a Country/Western bar. Bellydancing continued for a very short time afterwards, and on occasion bellydancers would perform to tape recorded Middle Eastern music between Country/Western music sets.
The Country/Western bar, the bellydancers, and the International Shows are now long gone; Sharx Nightclub and Sports Bar currently occupies the property.